1/6/2024 0 Comments Tempera on vellum![]() Both women are barefoot, having removed their hose their headgear consists of pieces of linen, draped around their heads to absorb perspiration and deflect the light of the sun. Although dyed textiles were no longer entirely unaffordable to the lower classes, (Piponnier and Mane 88) a peasant possessing a cobalt blue côte-hardie would likely save it for a special occasion. ![]() The woman on the right wears a deep cobalt blue côte-hardie with bright red laces, and her companion wears a delicate, lighter shade of blue. Other features, however, such as the low scoop necklines, reflect the power of fashion and the artists’ desire to make the painting as beautiful as possible by using the most expensive pigments. Their côte-hardies have short rather than full-length sleeves. These women have loosened the laces and raised the hemlines of their côte-hardies, tucking up the extra length over belts, in order to move more freely. The côte-hardie was a long dress with a fitted bodice and a voluminous skirt (Van Buren and Weick 302). We can see their chemises, the basic undergarment of undyed linen worn by all women (Boucher 445), which would normally be hidden under the next layer, the côte-hardie. The two women in the foreground have adapted their dress to their work and the heat of the day. Germain-des-Prés, on the left bank of the Seine. It depicts peasants raking hay in the fields that belonged to the Abbey of St. The most celebrated pages are the twelve calendar scenes where we see a range of figures and activities, from the labor of peasants to the favorite pastimes of aristocrats, with the Duke’s castles and other landmarks in the distance. Most of the book’s miniature paintings are the work of the Dutch Limbourg brothers (Paul, Jean and Herman), and are dated between 14 (Van Buren and Wieck 335). The same range has been assigned to a c.1914 Ludwig Hohlwein advertising poster and a copy of five-volume The Dramatic Works of William D'Avenant (1872–1874), one of just four copies printed on vellum.O ur best source for the fashions of this decade is Les Très Riches Heures du duc de Berry, a beautiful illuminated prayer book commissioned by Jean, Duke of Berry, the uncle of King Charles VI of France. Three volumes containing 190 fashion designs by Louis Lamotte from 1920 to 1924 could sell for $4,000–6,000. Eighty volumes of advertisement archives for Sunkist Growers, Inc. A later print of Ansel Adams' 1926 image Monolith, Face of Half Dome has been assigned an estimate of $20,000–30,000, and two 2009 photographs of waves by Clifford Ross, Hurricane L and Hurricane LII, are each estimated at $20,000–25,000.Īt PBA Galleries on Thursday, August 25, Antiquarian Books with Fine Press and Fine Bindings, in 360 lots. A manuscript copy of the lyrics for Katharine Lee Bates' America the Beautiful is expected to sell for $10,000–15,000, and a copy of the 1534 work Isolarioby Benedetto Bordone could fetch $4,000–6,000.īonhams New York sells 173 lots of Photographs on Tuesday. The 220 lots include a first octavo edition of Audubon's Birds of America ($20,000–30,000) and a first edition of Reginald Scot's The Discouerie of Witchcraft($15,000–25,000). Skinner's sale of Fine Books & Rare Manuscripts ends on Tuesday, August 23. A trio of sales I'll be watching this week features antiquarian books, photography, and a Sunkist archive.
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